Have you ever cut out an object in Photoshop, put it on a new background, added a “drop shadow” effect, and sat in front of your monitor thinking, “This just looks so Photoshopped”? I’m here to help! Here are five easy steps to creating realistic drop shadows in Photoshop.
If you followed the news yesterday, you may have heard that the Biden Administration announced its first-ever Executive Order on AI. We at Fstoppers are here to break down for you what the main points were, and how they will affect you as a photographer.
Have you fallen behind on keeping up with the tsunami of Photoshop updates and new capabilities? Or have you wanted to master this powerful tool, but you haven't been sure where to start? Well, put on your sweatpants, order in your favorite food, and thank your lucky stars, because next week, you can join Aaron Nace, Kristina Sherk, Ben Willmore and more live from your living room all week. And the best part? It's free. No, my editors did not miss this typo, it's true, and I'm here to tell you all about it.
As artists, we tend to channel our time and energy into becoming better at our craft. We learn more complex lighting setups, take advanced classes in retouching, buy the latest “must-have” gadgets, and try to bring it all together to improve our skills. We do it all because we have a fundamental belief that, “If I am the best, I will be the most successful”. Have you ever found yourself doing that, pouring months, and sometimes years into ameliorating your craft, but you still have not seen the corresponding financial or opportunity growth you expected?
Which image in the banner is a photograph, and which is computer generated? Can you even tell anymore? With the addition of computer generated imagery (CGI) and artificial intelligence, the process of creating images has provided commercial photographers more tools than ever. I sat down with award-winning food photographer Steve Hansen to discuss this topic and to delve into the question: "Is it enough to just be a photographer these days?"
B&H is turning 50, and they are celebrating with their Bild Expo September 6 and 7th at the Javits Center, in Manhattan. It is a free event where you can take advantage of a lineup of industry giants spanning across genres. Whether you're in need of renewed inspiration, valuable business advice, or acquiring new skills, you can expect an abundance of the most experienced voices at the expo.
Judging by my title, you'll be shocked to know that I have always been a Canon loyalist. From learning with the Canon A-1 inherited from my grandmother in 1999, to the latest mirrorless models, I have been a devoted customer and an advocate of the brand for over two decades. That is, until the Canon EOS R5. The Canon R5 is where my bond to the brand was systematically dismantled as the hardware itself did.
LED light panels, once used predominantly by videographers, have now become an indispensable tool for photographers. Whether you are a seasoned professional or an aspiring enthusiast, finding the perfect lighting setup can make all the difference in capturing high-quality images.
When was the last time you fulfilled a print order? When I think of print sales, I envision awkwardly contrived meetings where proofs have been held hostage and finally revealed as leverage, using the client's emotions to maximize profits. I know in-person sales is an effective strategy, and photographers bankroll this method frequently. However, for the majority of photographers who don't want to take that approach, providing an online client photo gallery and a few simple suggestions can help you maximize your profits without the pressure of in-person-sales tactics.
If you've been running your photography business for any amount of time, you have quickly discovered that being successful requires you to spend an inordinate amount of time doing things that have nothing to do with a camera. Things you probably loathe. Suddenly, you find yourself needing to acquire skills in accounting, web development, project management, copywriting, contract writing, and countless other fields. A newcomer has entered the CRM space: Bloom IO, and they are on a mission to alleviate many of these burdens, allowing you to focus on what you truly enjoy.
Have you ever walked by a beauty image on the shelf at ULTA or scrolled by a brilliant shot on Instagram and thought: “I want to make images like that”? Or perhaps you are a photographer who saw a picture and thought: “I could have shot that better!” You have the skills, but you don’t know how to break into the commercial market. In this article, I’ll share about how to break into the market and disclose tips and tricks to succeed in the commercial photography space.
The time has finally come. Leading to this moment, you sat in the hot sun for hours, waiting for the grazing of the bird’s toe on the water, creating mesmerizing concentric circles, and boom: you got it!
Tim Tadder is widely revered as a bold and visionary photography icon. With numerous accolades to his name and a client list ranging from Amazon to Nike, he is recognized as a leader in advertising photography and beyond. Since late January, though, he has turned into a highly controversial artist in the industry with his work in AI. I sat down to chat with him about the polarizing pieces he has been creating.
We would be hard-pressed to find a photographer who wasn't familiar with mega-brands Tamron and Sigma offering lower-priced lenses to rival the designs put out by the giants: Canon, Nikon, Sony, and more. This week, there has been buzz in the nerdy sublayers of photography sites about a new lens coming out: the Samyang 35-150mm f/2-2.8. Let's dive into this.
We all know Mark Mann from the close-up, soul-bearing portraits of what feels like every celebrity, public figure, and president in current times. Prolific seems a fitting word that should be permanently grafted to any discussion of the artist’s work. Today, however, we are getting to know Mark Mann in a way that you never have.
When V-Flat released the new Karl Taylor Light Cone, the comments ranged from dismissive jokes about "the cone of shame" to excitement for a product designed by esteemed commercial photographer Karl Taylor. I decided to take the cones into my product studio and see for myself if this simple tool really delivered the effortless results it boasted.
Once upon a time, Sigma was a brand thought of by many as the compromise lens if you couldn't afford the household names. Times have changed, though, and Sigma has gone beyond offering competitive lenses to making remarkable lenses and even some notable industry firsts. Being a photographer who works heavily in product work, I decided to put the Sigma 70mm f/2.8 DG Macro Art lens in a shoot-off against the Canon EF 100mm f/2.8L Macro, and the results were... well, read on and find out for yourself!
I woke up enlightened, inspired, and in slight disbelief. I had been elevated by Simon Bailey, instructed by Lindsay Adler, photographed by Mark Mann, and chatted up by Peter Hurley. I had watched artificial intelligence write, cull, and edit; and I partied the night away with over 10,000 photographers. Was this every photographer's fantasy dream played out in my sleep? No, it was my first trip to Imaging USA. In this article, I will recount my favorite notes and highlights from Imaging USA. Alas, it's not all glam: I'll also share about the closing keynote which left the crowd shocked. Let's review my first trip to Imaging USA.
Have you ever seen the camera pan across the photographers during the World Cup and wondered: "How did they get that job? What is that lens they're shooting with?" Well, Fstoppers, I have all the answers for you. I had the privilege to chat with Ammar Hassan, who covered not one, but four World Cup championships, and he was gracious to tell us all about what it's like to photograph the world's most watched sporting event.
With AI being all the rage lately, I thought I would test run a plot generator story of Canon versus Sony. I put in some spicy adjectives and plotted the main storyline: the photographers cross paths at the Imagining USA Nikon booth, and I let AI write a plot that will have you both roaring with laughter and fuming with offense. Grab your popcorn, and enjoy a good laugh.
